J. A. Richards, zit. in John Paul Russo, »A Study in Influence: The Moore-Richards Paradigm«, in: Critical Inquiry, Vol. 5, Sommer 1979, S. 687

Vgl. zum Beispiel die Analyse von Woolf in Sandra M. Gilbert, »Co-stumes of the Mind: Transvestism as Metaphor in Modern Literature«, in: Critical Inquiry, Vol. 7, Winter 1980, S. 391-417

Vgl. Ann Douglas, The Feminisation of American Culture, New York 1977; Nina Baym, Woman's Fiction: A Guide to Novels by and about Women in America, 1820-1870, Ithaca, N. Y. 1978; und Jane P. Tompkins, »Sentimental Power: Uncle Tom's Cabin and the Poli-tics of Literary History«, in: Glyph, Vol. 2, 1978

Vgl. zum Beispiel Judith Wilt, Ghosts of the Gothic-. Austen, Eliot, and Lawrence, Princeton, N. J. 1980

Margaret Anne Doody, »George Eliot and the Eighteenth-Century Novel«, in: Nineteenth-Century Fiction, Vol. 35, Dezember 1980, S. 267-68

Smith, »Black Feminist Criticism«, op. cit. Vgl. auch Gloria T. Hüll, »Afro-American Women Poets: A Bio-Critical Survey«, in: Gilbert und Gubar, Shakespeare's Sisters, op. cit., S. 165-82, und Elaine Marks, »Lesbian Intertextuality«, in: Homosexualities and French Literature, hg. von Marks und George Stambolian, Ithaca, N. Y. 1979

Myra Jehlen, »Archimedes and the Paradox of Feminist Criticism«, in: Signs, Vol. 6, Herbst 1981, S. 582

Susan Lanser und Evelyn Torton Beck, »(Why) Are There No Great Women Critics? And What Difference Does It Make?«, in The Prism of Sex: Essays in the Sociology of Knowledge, hg. von Beck und Julia A. Sherman, Madison 1979, S. 86

Mary McCarty, »Possessing Female Space: ,The Tender Shot'«, in: Women'sStudies, Vol. 8, 1981, S. 368

Edwin Ardener, »Belief and the Problem of Women«, in: S. Ardener, Perceiving Women, op. cit., S. 3